Lakeland
Friday, June 4th, 2010
Lakes define not only Canada’s landscape but the national imagination. Blending writing on nature, travel, and science, award-winning journalist Allan Casey systematically explores how the country’s history and culture originates at the lakeshore. Lakeland describes a series of interconnected journeys by the author, punctuated by the seasons and the personalities he meets along the way including aboriginal fishery managers, fruit growers, boat captains, cottagers, and scientists. Together they form an evocative portrait of these beloved bodies of water and what they mean, from sapphire tarns above the Rocky Mountain tree line to the ponds of western Newfoundland.
(ages 2 – 5) Little Bear closes his eyes and wishes and wishes and wishes for his dreams to come true. But when he opens his eyes, he’s still just Little Bear living in the Arctic tundra. Mother Bear tenderly shows him how many of his wishes do come true, from being able to swim with the playful belugas, to gazing at the dazzling northern lights. Finally, Little Bear is delighted to discover that he was Mother Bear’s wish come true! Readers will be touched by this reassuring tale of love and hope, which is of the “Storybook” series of board books – uplifting stories that shine with glitter, foil, texture, and more. Durable, padded covers, rounded corners, and an easy-to-hold size, along with touching text and colorful illustrations, ensure that these storybooks will be treasured by children and parents alike.
With the onset of the current economic crisis, one chapter in the economic history of the world is ending and a new one is beginning. What role will Canada play in this vastly altered world?
The ad men behind CBC Radio’s The Age of Persuasion combine lively social history and years of industry experience to show how the art of persuasion shapes our culture.
In the 1960s, Canada began a seismic shift away from the core policies and values upon which the country had been built. A nation of “makers” transformed itself into a nation of “takers.” Crowley argues that the time has come for the pendulum to swing back—back to a time when Canadians were less willing to rely on the state for support; when people went where the work was rather than waiting for the work to come to them. Thought-provoking, meticulously detailed and ultimately polarizing, Fearful Symmetry is required reading for anyone who is interested in where this country began, where it’s been, and where it’s going. “… Fearful Symmetry is an audacious, provocative and impressively researched volume. In setting out a new way of looking at the country’s development, it will open more eyes than it closes.” - Lawrence Martin, Globe and Mail “[O] ne of the most insightful books ever written about this country…. I know I am prone to exaggeration which is probably why I was able to have a 15-year career in politics, but I do not exaggerate when I say this is the best book I have ever read about our country.” — Monte Solberg, Sun Media “Founder of the Halifax-based Atlantic Institute for Market Studies, Brian Lee Crowley has written a courageous book with absolutely unique analysis and interpretation. Part lament, part celebration, Fearful Symmetry is most of all a profoundly optimistic book. Why? Rush to read it as soon as you can. ” – Globe and Mail
Wily trickster Coyote is having his friends over for a little solstice get-together in the woods when a little girl comes by unexpectedly. She leads the friends through the snowy woods to the mall — a place they had never seen before. The trickster goes crazy with glee as he shops with abandon, only to discover that filling a shopping cart with goodies is not quite the same thing as actually paying for them. The trickster is tricked and goes back to his cabin in the woods — somewhat subdued — though nothing can keep Coyote down for long. Thomas King is known for his fiction featuring Canada’s Native people, while Gary Clement’s artwork has appeared in several popular children’s books. “A Coyote Solstice Tale” blends King’s brilliant deadpan humor and Clement’s evocative watercolors in this witty critique of consumerism and consumption aimed at all ages.